Memorializing Your Work

After a while you just run out of room for memorabilia. I know that I cannot keep every project. Some of them contain expensive components that have to be re-used. Others are simply too big or too fragile. Still others are team efforts and, lets' face it, you can't win 'em all.

But recording and sharing projects is an important part of the design cycle and of the Maker ethos.

I recently completed a project at the Design, Do, Discover Conference in Palo Alto, Calif. I worked with a tremendous team of educators on a sound-visualization project based on Charlotte's Web. The project used farm-animal audio files, triggered by a Scratch-controlled Makey Makey along with a plastic membrane suspended over a speaker causing sugar to visibly vibrate with each sound. The trigger buttons were cartoon animals including the actual sound waveform, laser-engraved into plywood. This allowed users to also feel a representation of the sound.

I shot video and still images all along the design and construction process.

After the project was disassembled and the Makey Makey and speaker returned to the Bourn Lab at host Castilleja School, I grabbed the part of the project that I worked the most on: the vibrating membrane that showed sugar moving in concert with the animal sounds.

What I didn't think about was that the interior temperature of my car exceeded the point where the cup, under pressure of electrical tape and a rubber band, could hold its structural integrity.

Luckily, I had the video.

And the cow. I also grabbed the cow.